Melody (0:19) 03.Dawn (4:00) 04. The Awakening Of A Woman (Burnout) (10:20) 05.All Things (6:08) It was just a matter of time before the Cinematic Orchestra received a commission for a film score, but this 2003 release actually dates from 1999.
![]() Motion The Cinematic Orchestra Rar Movie Camera DoesntPerformed live by the orchestra, Man With a Movie Camera doesnt allow J Swinscoe to indulge in his usual post-production magic, but it is a surprisingly adept score, with occasional bursts of on-the-one jazz-funk wailing to break it up.
Pity the poor comrade whos soundtracked 70 years later with a hyper-speed Pretty Purdie-type drum solo and some old-school-rap samples in the background.) Scattered moments of brilliance abound, and at one point, someone on sax comes up with a brilliant foghorn recreation. The cinematic material lies in 70s astral jazz, with evocative, tremulous work from soprano sax and violin. Just two caveats: several of these performances were later echoed in tracks appearing on the Cinematic Orchestras 2002 release Every Day, and some passages have a baffling, you-had-to-be-there quality. Apparently it was a hit at the festival, though only the DVD release of Man With a Movie Camera has the film itself, along with a Cinematic Orchestra performance live in the studio, plus a Channel 4 documentary on the making of the record. John Bush Related Releases: The Cinematic Orchestra - Motion (1999) The Cinematic Orchestra - Live At The Big Chill 03.08.2007 (2007). Motion The Cinematic Orchestra Rar Full Review 3YTags Add Tag Log in to add tag Sign In to rate and review CRITIC REVIEWS Add Critic Rating Sort Highest Rated Highest Rated Lowest Rated Newest Oldest Best of 1999 Worst of 1999 Recent Reviews Suggest Blurb 80 AllMusic Full Review 3y Best of 1999 Worst of 1999 Recent Reviews Suggest Blurb 67 Pitchfork Full Review 3y. This again is mainly due to the electronics used to embellish the particular sound band songwriter Jason Swinscoe wants to project. Quoting from the Bandcamp page, Instead of the emphasis being on horn players blowing, J Swinscoe (the sampler, sequencer, and tactician behind the project) uses the central pillars of dance.
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